Photographic Advice – It’s All About the Eyes

I gave some good hard thought to what I would give as a quality piece of photographic advice. Now there's many aspects to wildlife photography I could share, that could make it easier. We could talk about creating incredible low-angles on the scene, what you include & exclude, composition and even just making sure the photo is sharp. But, that all fades into insignificance if the eyes of your animal is not the star of the show.

Eye contact in wildlife photography is something that can't be taken lightly. It's one of the most important elements, without doubt, and a piece of photographic advice I would love to share with you.

Animal Eye, Wild Eye, Marlon du Toit

Have you ever heard of the term - "smize"? I've heard it in modelling circles. It refers to smiling with your eyes, very simply put. The same can be said for the opposite emotion. What about times when you want to portray sadness, or anger, or fear? It ALL starts with the eyes. If the eyes do not correlate then all is lost & no story will be told.

You've also heard it said that eyes are the windows to the soul.

How often have you not found yourself simply staring at an image, purely because those eyes you're looking at are like deep endless wells drawing you deeper, inviting you t0 be a part of that moment.

Animal Eye, Wild Eye, Marlon du Toit

Animal Eye, Wild Eye, Marlon du Toit

The eyes are powerful, and likely the most powerful part of a picture, should they be included.

Here's some photographic advise for getting the most out of the eyes in your picture:

  • It's rather obvious, but make sure they are in focus. If not, it's all kind of pointless.
  • Choose your aperture (depth of field) with care. If you're using a lens like the 400 f2.8, or 600 f4, then you'll notice it's easy to have focus issues. If you accidentally focus on the bridge of the nose on a lion, the eyes may not be sharp at all, especially if you are close to the animal. Make sure you focus is exact, and make sure you aperture is set to such a level that they eye chosen (or both) remains sharp and in focus.
  • Wait for the right moment. Sometimes the eyes could appear lazy or without intent. Make sure the eyes are fitting to the story you wish to tell.
  • Make sure you're shooting at eye level. It makes the eye truly stand out from the scene and the viewer connects with the subject more effectively.
  • Make sure your camera is set to continuous focus mode. This way, when the animal is moving towards you, your camera is always tracking and you'll always have the sharpest image possible given your focal points were places across the face & eyes.
  • New cameras such as the Sony A9 mark ii have incredible eye-tracking autofocus capabilities. It's works on a wide array of wildlife and will make the task of eye contact and sharpness a whole lot easier to manage.

Animal Eye, Wild Eye, Marlon du Toit

Animal Eye, Wild Eye, Marlon du Toit

So remember this photographic advise next time you're in the field. Save this blog if you have to!

It's all about the eyes!

Marlon du Toit

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